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The New York Times

How a Smithsonian Museum Stopped Being About the ‘Wealthy, Pale and Male’

For centuries, portraits and busts were reserved for capturing images of the elite, leaving a distorted historical record largely limited to “the wealthy, the pale and the male,” said Kim Sajet, the director of the National Portrait Gallery. The museum, like many across the country, is working to rectify those …

Broadway World

BroadwayWorld highlights DTSBDC’s November Kennedy Center performance

It’s been 30 years since Dana Tai Soon Burgess started his modern dance company in the nation’s capital. From the very beginning, the repertory focused …

The Washington Post

For dancers performing in museums, first rule is: Don’t bump into art

It’s a Sunday evening, an hour before closing, and people are still lingering at the National Portrait Gallery. But they’ve migrated away from art on …

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Albuquerque Journal

Dance lesson: Renowned choreographer Dana Tai Soon Burgess teams up with NDI students

National Dance Institute

NDI New Mexico Welcomes Dana Tai Soon Burgess as their 2024 Teaching Artist in Residence

Broadway World

BroadwayWorld highlights DTSBDC’s November Kennedy Center performance

Wendy Perron

Dana’s memoir, Chino and the Dance of the Butterfly, reviewed by Lisa Traiger and spotlighted by Wendy Perron

Playbill

Photos: Dana Tai Soon Burgess Dance Company Hits NYC

Dance Magazine

How Choreographer and Artistic Director Dana Tai Soon Burgess Uses Dance to Move Between Cultural Worlds

National Press Club

Book signing of Chino and the Dance of the Butterfly at the National Press Club

The Washington Post

For dancers performing in museums, first rule is: Don’t bump into art

The New York Times

How a Smithsonian Museum Stopped Being About the ‘Wealthy, Pale and Male’

The Washington Post

DTSBDC’s residency at National Portrait Gallery highlighted in Washington Post
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